8-15-495
Vydáno: 2008 (1.vydání)
Obsah:
Když člověk čte Johna Irvinga, může si být jistý, že se setká se zápasníky a podnikne výlet do Vídně. Podobné je to i s Vieweghem. Čtenář očekává citáty (kterými autor neprokládá jen své knihy, ale hýří jimi i během interview), nevěru a narážky na novináře. Také exotická jména postav a víc dějových linek, které se propletou nebo alespoň zlehka dotknou.
Děj románu táhnou tři sourozenci. Zkorumpovaný soudce Cyril, cynický muž, který předpokládá, že všechno je možné si koupit. Cit ztratil, když zemřeli při autonehodě jeho rodiče a on se musel postarat o svoje dva sourozence. Jeho o devět let mladší bratr Bruno je prototypem mužského slabocha, průměrným okresním žurnalistou, který žije se ženou ve stereotypním manželství. Bruno trpí nevyléčitelnou nemocí. Jejich sestra Aneta je jako jediná postava v knize charakterní, pomáhá lidem v televizním publicistickém pořadu a doufá, že našla toho pravého. Tím pravým je empatický a vtipný Alan, který však nakonec stejně zklame na celé čáře.
Aneta, Bruno a Cyril se vydávají na pánskou jízdu ("Proč tomu kurva pořád řikáš pánská jízda, když s váma jezdim já?" "Protože seš chlap s kozama. Mluvíš jako my, chlastáš jako my."), na níž chtějí Brunovi darovat nezapomenutelné zážitky. Jedním z takových zážitků má být i striptérka Tali, kterou berou s sebou.
Paralelně k této dějové lince má Román pro muže ještě dvě – postavy René a Šimi tvoří typově podobnou dvojici jako Cyril a Bruno ("Buď jsi vládce, nebo ovládaný") a do příběhu osudově zasáhnou.
Postava spisovatele jedoucího na besedu má se sebeironickým úšklebkem vysvětlovat Vieweghův postoj ke světu, hlavně ke gymnazistkám a k jeho spisovatelské práci. Když postava novináře na malém městě v zápalu upřímnosti vykřičí, že píše proto, aby se udělal lepším, musí se čtenář nutně ptát, jestli to Viewegh nemyslí zase jenom jako slogan, kterým jakoby sám za sebe vysvětluje, že nepíše (jen) pro peníze.
Skóre: 4/10
pátek 26. prosince 2008
úterý 16. prosince 2008
Susanna Clarke - Jonathan Strange & Mr. Norrell
8-14-494
Vydáno: 2005 (2004)
Obsah:
Any book touted as the ‘adult Harry Potter’ runs the risk of attracting critical parries from swords of the double-edged variety. If this wasn’t enough, Jonathan Strange & Mr Norrell--the debut novel from Susanna Clarke--also invites comparisons with Jane Austen. Set in the early nineteenth-century, the action moves from genteel drawing rooms—albeit where a mischievous Faerie king sips tea with the wife of a very human government minister, to the bloody battleground of Waterloo, where giant hands of earth drag men to their doom. The juxtaposition of perfectly realised magical worlds and the everyday one with which JK Rowling and Philip Pullman so successfully captured our imaginations and the social comedy of Austen and Thackeray can easily be recognised. But less easy to pastiche is the ability of these writers to induce sheer narrative pleasure, and it is Clarke’s great achievement that she succeeds with this hugely enjoyable read. Gilbert Norrell is determined to single-handedly rehabilitate his sanitised and patriotic version of English magic, which has suffered a post-Enlightenment neglect after a richly dark history. He ruthlessly secures his place as England’s only magician in two marvellously drawn feats. First, he brings the statutes of York Cathedral to life and then, to facilitate his entry into London society, he brings a young bride-to-be back from the dead--a feat with terrible consequences. However, another more naturally gifted magician—Jonathan Strange—emerges to become his pupil and later his rival. Strange becomes increasingly obsessed with the Raven King—the medieval lord-magician of the North of England and pursues his desire to recruit a fairy servant to the edge of madness. Whilst the differing characters of Norrell and Strange give the book a central human conflict, it is the tension between the dual natures of civilised and wilder magic that lends it a metaphysical texture that shades the narrative with wonderful and troubling descriptions of ships made of rain, paths between mirrors and faerie roads leading out of England to a bleak yet dazzling realm. Fortunately, the precision of her storytelling never reigns in Clarke’s prodigious imagination. Clarke’s broad canvas of characters—including Wellington, Napoleon and Bryon, locations and tones are masterfully realised. However, sometimes her own enchantment with them leads her to drop her pace, although even at almost 800 pages, this is a book to which you’ll muster up little resistance. Jonathan Strange & Mr Norrell is the perfect novel to take up residence in as the nights get longer.
Skóre: 7/10
Vydáno: 2005 (2004)
Obsah:
Any book touted as the ‘adult Harry Potter’ runs the risk of attracting critical parries from swords of the double-edged variety. If this wasn’t enough, Jonathan Strange & Mr Norrell--the debut novel from Susanna Clarke--also invites comparisons with Jane Austen. Set in the early nineteenth-century, the action moves from genteel drawing rooms—albeit where a mischievous Faerie king sips tea with the wife of a very human government minister, to the bloody battleground of Waterloo, where giant hands of earth drag men to their doom. The juxtaposition of perfectly realised magical worlds and the everyday one with which JK Rowling and Philip Pullman so successfully captured our imaginations and the social comedy of Austen and Thackeray can easily be recognised. But less easy to pastiche is the ability of these writers to induce sheer narrative pleasure, and it is Clarke’s great achievement that she succeeds with this hugely enjoyable read. Gilbert Norrell is determined to single-handedly rehabilitate his sanitised and patriotic version of English magic, which has suffered a post-Enlightenment neglect after a richly dark history. He ruthlessly secures his place as England’s only magician in two marvellously drawn feats. First, he brings the statutes of York Cathedral to life and then, to facilitate his entry into London society, he brings a young bride-to-be back from the dead--a feat with terrible consequences. However, another more naturally gifted magician—Jonathan Strange—emerges to become his pupil and later his rival. Strange becomes increasingly obsessed with the Raven King—the medieval lord-magician of the North of England and pursues his desire to recruit a fairy servant to the edge of madness. Whilst the differing characters of Norrell and Strange give the book a central human conflict, it is the tension between the dual natures of civilised and wilder magic that lends it a metaphysical texture that shades the narrative with wonderful and troubling descriptions of ships made of rain, paths between mirrors and faerie roads leading out of England to a bleak yet dazzling realm. Fortunately, the precision of her storytelling never reigns in Clarke’s prodigious imagination. Clarke’s broad canvas of characters—including Wellington, Napoleon and Bryon, locations and tones are masterfully realised. However, sometimes her own enchantment with them leads her to drop her pace, although even at almost 800 pages, this is a book to which you’ll muster up little resistance. Jonathan Strange & Mr Norrell is the perfect novel to take up residence in as the nights get longer.
Skóre: 7/10
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